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File Size: 34740 KB

Print Length: 634 pages

Simultaneous Device Usage: Up to 4 simultaneous devices, per publisher limits

Publisher: Mosby; 6 edition (October 7, 2014)

Publication Date: October 7, 2014

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00QXF85NK

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This book was a required book by my Nursing Leadership class so as any starving student would do I rented it. While going through the reading I found the information was bland, and it took quite some reading within the book to get the message and to the point. The case studies and boxes within each chapter were helpful. I knocked off one star due to the reading being a tad boring, but that can be expected for any textbook. The second star I had to take off was due to a large cut through the front cover of the book but then again it was rented. However for the price of the rental this student can't complain too much. Regardless, just be mindful if you are renting this book that there may be defects and some wear and tear.

One of the worst nursing books out there. This book is the definition of verbose. Probably every page could be condensed down into a few sentences. It is incredibly wordy and one of the most poorly written nursing books I've had so far in nursing school. Every sentence sounds like the author is just trying to show off rather than conveying the information in a clear and coherent manner.

We were required to use this book in my BSN leadership class. I was very disappointed in this selection. The material is so drab and hard to get through. There are no practice questions anywhere in the book.

The book served its purpose, however, it is pretty beat up. There are torn and bent pages, significant water damage, and bent covers. I definitely expected to get a half-way decent book for the price and didn't use it as much because I was afraid to damage it even more. Should have a better description of what to expect when the book arrives.

Nothing wrong with seller. The book itself it not worth it. I bought it because it is a requirement for class and regret it. I even sent the instructor an email regards this book. I wrote and essay every week for my class and found other book, older at that, to be more helpful. This book sure can make something easy hard to understand. Very repetitive. This book produces obvious nursing management issues and talks about theory rather than has to develop a solution. Horrible, horrible, horrible, horrible, horrible horrible, horrible, horrible, horrible buy. I regret this book more than my first 3 marriages.

Great price for a school book I needed to rent arrived next day

This was required for a nursing course and it was a good deal to rent.

Received. A little wear and tear on some pages. Definitely used. But it is a rental and it will get used. One week out from the start of classes and already have assignments that call for reading chapters. Thank you.

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Free Ebook Spiral Jetta: A Road Trip through the Land Art of the American West (Culture Trails: Adventures in Travel), by Erin Hogan

Free Ebook Spiral Jetta: A Road Trip through the Land Art of the American West (Culture Trails: Adventures in Travel), by Erin Hogan

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Spiral Jetta: A Road Trip through the Land Art of the American West (Culture Trails: Adventures in Travel), by Erin Hogan

Free Ebook Spiral Jetta: A Road Trip through the Land Art of the American West (Culture Trails: Adventures in Travel), by Erin Hogan

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Review

“I was never quite sure what Hogan was looking for when she set out . . . or indeed whether she found it. But I loved the ride. In Spiral Jetta, an unashamedly honest, slyly uproarious, ever-probing book, art doesn’t magically have the power to change lives, but it can, perhaps no less powerfully, change ways of seeing.” (Tom Vanderbilt New York Times)“The title’s overly coy allusion to Robert Smithson’s masterpiece doesn’t detract from a smart and winning book. Hogan, the public-affairs director at the Art Institute of Chicago, does her best to arrange an unhappy marriage—a land-art tour ‘through the states of Utah, Nevada, New Mexico, Arizona, and Texas’ and ‘through the states of anxiety, drunkenness, disorientation, and heat exhaustion’—but the reader emerges enlightened and even delighted. After all, making critical theory fun is quite a feat. Casually scrutinizing the artistic works Sun Tunnels, Double Negative, Roden Crater, and Lightning Field while gamely playing up her fish-out-of-water status, Hogan delivers an ingeniously engaging travelogue-cum-art history.” (Atlantic)“Across this marvelously unexpected little road saga, the stud muffin cowboys of late twentieth century American art at long last meet their sly gamine match.  Pretty much doing for Land Art what Geoff Dyer did for D. H. Lawrence, Ms. Hogan, an urban fish decidedly out of water, flopping about in the high desert parch, makes for marvelously endearing company.  An at times harrowingly (albeit comically) unreliable navigator (who doesn't bring a compass along on solo treks across such vast empty expanses?), Hogan nevertheless then manages to deploy an expertly modulated prose, tracking the heaviest of subjects with the lightest of touches, melding gravitas and whimsy (vodka and tonic), in a narrative that in the end, like the art it surveys, manages to be about what it is to be an individual alone—pinprick-contingent, achingly vulnerable, gobsmacked enthralled—in the face of all that is.” (Lawrence Weschler)"Hogan’s pilgrimage, sparsely illustrated, is part well-informed art historical travelogue and part light foray into self-discovery; her prose is lucid, energetic and expressive, and she is an affable guide." (Publishers Weekly)"Spiral Jetta is the perfect read for those who enjoy contemporary art but don't have an academic background in it, and it doubles as a fine Western road trip narrative. . . . A diverting, insightful look at the land art of the American West and the characters Hogan encountered along the way." (Jenny Shank New West)“Blending a humorous travelogue and serious musings, in Spiral Jetta she winds her car and the reader through the complexities of 1970s earthworks and contemporary aesthetics via a varied landscape of people, places, and art. . .  She is great at keeping the reader’s attention: two pages of art philosophy; ten pages of fun.” (Mary Parrish Science)"[An] engaging and sometimes hilarious account of a 'recovering art historian' facing an early midlife crisis. . . . Hogan eloquently discusses the sublime and the intimate . . . and she makes us feel as if we're right down in the trench with her." (Marc Vincent Plain Dealer)"Hogan is a fine guide, evolking the dry, mostly desolate, Western landscape, while skilfully shaping her sensory experience of the artworks and her reactions to them into a nicely flowing narrative." (Chicago Artist's News)"Hogan is funny and intellectually stimulating in her amazing summer art journey." (School Arts Magazine)

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About the Author

Erin Hogan is director of public affairs at the Art Institute of Chicago.

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Product details

Series: Culture Trails: Adventures in Travel

Paperback: 190 pages

Publisher: University of Chicago Press; Reprint edition (October 15, 2009)

Language: English

ISBN-10: 0226348466

ISBN-13: 978-0226348469

Product Dimensions:

5.5 x 0.4 x 8.5 inches

Shipping Weight: 10.7 ounces (View shipping rates and policies)

Average Customer Review:

3.3 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#259,803 in Books (See Top 100 in Books)

Although I thought that other reviewers were exaggerating about the author's snobbish attempts at viewing land art in rural settings, I very quickly tired of this author's journey. She is scared of her own shadow, and the majority of the book is filled with pages on her anxieties about various roads, hotels, etc. (For instance, she fretted that cows in the pasture might charge her car!) She was especially condescending about the rural people and communities she encountered on her journey. If you have ever driven anywhere by yourself outside of an urban area, you will most likely desire a more adventurous tale about exploring land art or the West. Additionally, the guide/itinerary on land art at the back of the book is minimal. You will not find any insider tips that you would not find in other travel books that include these major land art sites.

It was a decent read. There were just some moments where the trip went off-topic. I think there was a whole chapter where the road trip wasn't mentioned.

The author's account of her visit to earth works in the western US is often hilarious and is never dull.

This is a cross-over book: a mixture of a small amount of art history, with a bit of travel writing and with a nod towards Kerouac's On the Road. The latter is hard to avoid I guess given the genre--the road trip to various desert sites.I've always wanted to go to the art sites she visits or tries to visit. It's rather disappointing and unfortunate that the author doesn't find Nancy Holt's Sun Tunnels and she doesn't see Roden Crater, so two of the chapters are about these failures. At the back of the book are directions to most of the sites, perhaps assembling this information before the trip would have been a better idea. There's a rather laboured discussion threaded through the book about the author's efforts to be spontaneous that explain this peculiar lack of preparation.She does manage to visit Spiral Jetty, Lightening Field, Double Negative and the Chinati Foundation in Marfa and her accounts of these visits is engaging and enjoyable. On the whole, the book is a very easy read, but a bit less biography and more engagement with the sites would have suited my taste better.

Land art was a controversial movement that came out of the 1960's and 1970's. Artists like Robert Smithson, Nancy Holt and Walter DeMaria tore apart the concept of art being individual works displayed in a gallery or sculpture garden independent of surroundings and time. They went to the most remote corners of the American west and southwest and created huge installations that are wedded to the landscape with an expectation that time and elements, as well as the viewers' physical perspective, can change their work and statement.A generation later, an urbanite armed with a doctorate in art history, who was well read on the debate about land art realized that since its entire point is about where it is, she ought to go out and see these icons for herself. Erin Hogan may have been intellectually equipped, but going to land art is nothing like donning heels and a black dress and going to a gallery opening in Chicago. Thus her book is an amalgam of art history, art criticism and a frequently funny travelogue of an innocent who had never traveled solo before. The title of the book incorporates this range: the first earthwork she visits is Smithson's "Spiral Jetty" on Salt Lake, and the car she drives to remote, off-road locations requiring high-riding all-wheel drive vehicles is a VW Jetta.This book works on many accounts: Hogan is a natural storyteller and she is an accessible interpreter of art history and criticism. Due to very poor directions, not to mention a scary evening in a bar called the Saddle Sore, she does not find Holt's "Sun Tunnels" and later, a conversation with a Navajo ranger convinces her that it would be foolhardy in gun country to seek James Turrell's "Roden Crater." Although that's disappointing, she achieves some major experiences, especially a transformative overnight at De Maria's "Lightening Field." However inauspicious their start on the trip, she and the Jetta survive, and she provides revised travel directions for those who would like to make their own pilgrimages without the slapstick.

Many art historians have written about the great modern earthworks of the American West and Southwest, but this is the first travel book to do so. What sets this book apart from others of its kind is the quality of the writing and the personality of the author, Erin Hogan. Hogan, an avowed urbanista from Chicago, writes with real comedic flair about the road trip she took in her trusty VW Jetta to visit the legendary Spiral Jetty, Lightning Field, Double Negative, Rodencrater, and Donald Judd's Chinati Foundation in Marfa (almost all of them funded by the Dia Foundation). Writing in a picaresque mode, along the way she encounters some pretty hairy and scary characters straight out of the old Wild West, but gone wrong, terribly wron. While her discussions of the formidable works of Judd, Smithson et al are excellent and accessible for general readers, the account of her accidental discovery of a folk-art site known as Hole 'n' the Rock is absolutely transcendent, right up there on a par with Perelman, Benchley, Woody Allen. A fabulous read. I hope we'll be seeing more from this talented writer--and soon.

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