Free Ebook The Most of Nora Ephron, by Nora Ephron

Free Ebook The Most of Nora Ephron, by Nora Ephron

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The Most of Nora Ephron, by Nora Ephron

Free Ebook The Most of Nora Ephron, by Nora Ephron

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From Publishers Weekly

This posthumous collection celebrates Ephron's talent for turning her experiences into material, no matter the medium. Organized by occupation (The Journalist, The Advocate, The Foodie, The Blogger, and others), the volume contains numerous classics: her novel Heartburn; the screenplay to When Harry Met Sally; and wry essays on aging that made her collections, I Feel Bad About My Neck and I Remember Nothing, bestsellers. Ephron's last work, Lucky Guy, a play about the career of New York tabloid journalist Mike McAlary, is published here for the first time. The book's most delicious offering is Ephron's magazine journalism from the 1970s, with razor-sharp profiles of figures such as Helen Gurley Brown, Dorothy Schiff, and Julie Nixon Eisenhower, and keenly intelligent reportage on subjects that include the 1971 National Women's Political Caucus and the 1973 Pillsbury Bake-off competition. From Ephron's days as a reporter at Newsweek in the 1960s to blogging for the Huffington Post in the 2000s, the book documents the changing culture of the New York media world. Everything is copy, Ephron's mother always said. This collection fulfills that motto with aplomb, and will likely serve as a perfect holiday gift for Ephron fans. Agent: Amanda Urban, ICM. (Nov.)

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From Booklist

Nora Ephron (1941–2012) was an exceptionally smart, funny, and caring journalist, essayist, novelist, playwright, screenwriter, blogger, producer, and director. Her last two books, I Remember Nothing and Other Reflections (2010) and I Feel Bad about My Neck (2006), were best-sellers; her films include Silkwood, Sleepless in Seattle, You’ve Got Mail, and Julie & Julia. No matter how versed in Ephron’s cherished work a reader may be, she or he will be dazzled and touched anew by this life-spanning, life-embracing collection that so richly showcases her clarity, brio, and candor. Mining her own intriguing life in Beverly Hills and New York, Ephron wrote about what it means to be female, from her hilarious “A Few Words about Breasts” in 1972 to her touched-a-nerve laments about marriage, motherhood, age, and persistent sexism. A canny interpreter of the zeitgeist, Ephron threshed topics social, cultural, and political, and shared her passion for food. Nearly 80 stellar essays are accompanied by Ephron’s novel, Heartburn; her play, Lucky Guy, and her acclaimed, oft-quoted screenplay for When Harry Met Sally. A tonic and essential celebration of a scintillating and mighty writer. HIGH-DEMAND BACKSTORY: Ephron’s bereft readership will embrace this robust, strongly promoted tribute to her incandescent talent and intensely creative life. --Donna Seaman

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Product details

Hardcover: 576 pages

Publisher: Knopf; 1st edition (October 29, 2013)

Language: English

ISBN-10: 9780385350839

ISBN-13: 978-0385350839

ASIN: 038535083X

Product Dimensions:

7.3 x 2.2 x 9.5 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

89 customer reviews

Amazon Best Sellers Rank:

#119,997 in Books (See Top 100 in Books)

Doesn't much matter which of those 557 pages fall open. Wherever you land you should find a good read. Here's a sampling: There's Nora, the thrice married New Yorker daughter of Hollywood screenwriters. Nora of 1960's Newsweek, when the only jobs open to women were in the mailroom. Nora, the New York Post journalist, novelist, filmmaker and playwright. Nora sitting around with Rob Reiner dithering with improving the script of "When Harry Met Sally." Nora settling scores with her unfaithful second husband in "Heartburn," the book that became a Meryl Streep movie. Nora as writer/director of "You've Got Mail" and "Sleepless in Seattle." Nora, the foodie, on having people to dinner and life in the land of the egg-white omelette. And the Nora who knew early on who Deep Throat was, but nobody believed her. Nora and her profiles of Helen Gurley Brown, Julie Nixon Eisenhower and other well known women. Nora on life in the Google years. Nora on the "O" word and remembering nothing. Nora's script of "Lucky Guy," her 2-act play that ran on Broadway, starring Tom Hanks, in 2013. Nora's "Story of My Life in 3,500 Words or Less" and two one-page lists of "What I Won't Miss" and "What I Will Miss." Nora Ephron died of leukemia at 71 in June, 2012.

I have been a long time Nora Ephron fan, having read several of her shorter works, read screenplays and watched movies and this compilation of Ephron's work is a way to immerse myself in her brilliant, biting, insightful, sharp witted and intelligent writing. I enjoyed work I hadn't read before and revelled in re-reading favorites. She was such a creative and wide ranging talent- this collection is a treasure for me to dip into and reflect upon, laugh over and be surprised anew by her breadth of knowledge.

Nora Ephron is funny. Because she seeks the truth, after I've stopped laughing, I find myself oddly, deeply affected and a bit teared up. She left us too soon, so I'm glad I got this great, big fat compendium of her work from the many facets of her life--newspaper and magazine journalist, epic foodie, novelist, screenwriter, playwright. Somehow her love of eating and cooking works its way into a lot of what she's written as a novelist, screenwriter, and journalist. Her confiding tone makes her feel like a girlfriend, someone I stay in touch with long after moving on from the school or job where we first met.The Most of Nora Ephron gives me the opportunity to revisit Ephron's wit and warmth again and again.

This splendid collection of Nora Ephron's work should be read by every woman in America, and MOST men. Readers are not meant to read it straight through, but sample it as one would a box of chocolates. However, I read it over my Christmas vacation in one fell swoop, hating to put it down. Nora Ephron's death brought out a spasm of national mourning, and reading her work again, one can see why. She is often compared to Dorothy Parker, but it's a false analogy. Parker was cold at the heart; Ephron was warm and human all the way through. Read this!

I bought this as a gift for a bookworm friend of mine and she loved it. It is bulky and a bit heavy, but, it's beautifully written. Not a gift for posting but perfect to give to someone in-person who loves clever, witty, intelligent penmanship.

What more is there to say, other than that? Really. Sheer pleasure to read. This is the 2nd time Amazon has asked me this question, BTW. Please stop!

Nora Ephron was one of the funniest and best writers we have seen in a long time. No one had her keen sense of humor and ability to say something in her own original way. This book is a wonderful collection of Nora's work, and since there will be no more from her, it is to be treasured and read over and over. She was indeed a national treasure. Rest in peace, Nora, you made us laugh and you told it like it was.

Just can't get enough about the late Nora Ephron. Anyone who loves her films and books will love to hear how her process worked and how sensitive and loving she really was!

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PDF Ebook The Copyeditor's Handbook: A Guide for Book Publishing and Corporate Communications

PDF Ebook The Copyeditor's Handbook: A Guide for Book Publishing and Corporate Communications

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The Copyeditor's Handbook: A Guide for Book Publishing and Corporate Communications

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Review

“A practical manual for revising professional papers to all who wish to further their knowledge and develop their skills.” (Detroit Legal News 2011-09-21)

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From the Inside Flap

Praise for the first and second editions:"The Copyeditor's Handbook brims with valuable information, good advice, and helpful suggestions for novice copyeditors and experienced practitioners. It is comforting to know that current and future copyeditors will be able to turn to this handbook. I'm placing this work, which fills a huge gap in the literature, right beside my dictionary, and will highly recommend it to all my colleagues and students." ―Alice Levine, Lecturer, The Denver Publishing Institute, and freelance editor "A definite 'must have' for the beginning to intermediate editor or author, and even the experienced editor. An indispensable reference tool." ―Kim Hawley, President, The Chicago Book Clinic "This is the book that every teacher of editing has been waiting for: thorough, clear, authoritative, up-to-date, and sane." ―Beth Luey, Director, Scholarly Publishing Program, Arizona State University "This book warms the cockles of the copyediting heart. It is thorough, useful, helpful, and smart. And it fills a huge vacuum." ―Constance Hale, author of Sin and Syntax and Wired Style "An excellent resource. The Copyeditor's Handbook should sit on every business editor's shelf, next to the in-house style guide." ―Erika Henik, Research Publications Manager, Banc of America Securities LLC "The first three chapters alone are worth the cover price. It's a book that acknowledges an assortment of vexing copyediting questions and offers multiple answers to most of them."―Gary Hernandez, Technical Communication "An excellent textbook to teach the essentials of copyediting. An excellent reference work for workplace writing."―Mark Armstrong, Business Communication Quarterly "Straightforward, sound advice for beginning or intermediate copyeditors working with pencil or online."―Priscilla S. Taylor, The Editorial Eye "Lays out the copyeditor's obligations with humor, style, and perspective."―Walter Pagel, Science Editor

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Product details

Paperback: 576 pages

Publisher: University of California Press; 3rd edition (2011)

Language: English

ISBN-10: 0520271564

ISBN-13: 978-0520271562

Product Dimensions:

6 x 1.3 x 9 inches

Shipping Weight: 15.2 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

118 customer reviews

Amazon Best Sellers Rank:

#18,095 in Books (See Top 100 in Books)

"The Copyeditor's Handbook" is book is a life-saver! I'm studying to be an editor and it's not always easy to understand what is known as 'the' editor's bible: the Chicago Manual of Style. This book, however, simplifies and explains so many rules that CMS does not elaborate on, allowing the reader to breathe a little easier as a result. I highly recommend this to writers, authors, editors, and pretty much anyone who is in love with the written word and could use a friendlier reference manual.

It's terrific and you will need it. Don't scrimp and buy cheaper books on copyediting because I have and I find bad advice and even numerous mistakes in them. This book is one of the few that doesn't rhapsodize Strunk & White, which I'm tired of after all these years. If I had any advice for Ms. Einsohn, it'd be to update some of the examples, even if it's just a question of changing the year to reflect that we're now in the 21st century, and to replace the chapter on typecoding (c'mon, did any of you really read that?) with one on copyediting for the Web, which has it's own rules and idiosyncrasies and is where a huge amount of writing is now. Einsohn is good about reminding copyeditors to be diplomatic when suggesting changes, something not all of us do naturally.Reading this book twice or more is a good idea.** Right after I wrote this I did a search for Einsohn and learned that she died in February of 2014, at age 61. She will be one of the rare few who writes a technical book about a trade yet be remembered with warmth only for that. Reading it is like having coffee with the smartest friend you have and listening while she gives you invaluable advice. I hope the book will continue to be updated and revised by someone able to maintain Ms. Einsohn's high level. **

This is a really great guide. I got offered a copyediting job, which I had never done before, and kind of freaked out. My friend, a professional copyeditor, recommended this book. With focused study, I was able to teach myself to copyedit well enough to get paid to do. Now the company that hired me has me copyedit all of their publications.The book has exercises for practice. I did them in pencil so I could do them more than once.The way the book is organized is a little weird, making it slightly difficult to use as a reference. Nonetheless, I do reach for it time and time again while I'm copyediting. I recommend flagging the pages with grammatical concepts that you often need to review.

Not just a book for editors! Oh, not at all!Every writer, from newbies to NY Times bestsellers would benefit from this handy text.It give very clear guidelines on how to price yourself as an editor, along with levels of editing and descriptions of the different kinds of editors on different publications. Any budding editor will know what to expect from their career choice.As for writers, the book has a great collection of grammar, punctuation, and spelling guidelines, which are all presented in an easy-to-understand format. Follow these guidelines, and your editor will praise you as a Literary Deity. Or, at least, give you a heartfelt "thank you."

I wish I had read this when I was still working at a publishing house, but now that I am freelancing full-time, I'm beefing up my skills with an online class that uses "The Copyeditor's Handbook" as the main textbook. It's excellent. I find the book to be informative and the author to be flexible about editorial situations that often come down to a judgment call.Einsohn has pored through many books about writing and editing order to put today's editorial questions into context, and her brief discussions of our evolving language are quite interesting. Sometimes, we find that something we have been taught is a no-no (like ending sentences with prepositions) has actually been done successfully for many years.There are helpful exercises throughout so readers can test themselves on the concepts being presented, a glossary of grammar terms and one of copyediting terms, careful explanations about typecoding for people who still edit on paper, and discussions of some of the finer relational questions about copyediting. (For example, when does a copyeditor cross the line from helpful changes to unwarranted interventions?) No editor should be without this guide.

I love this book. I'm a writer, not a copyeditor. This text helped me understand what I need to work on, and how a copyeditor works. It also goes through the various steps in book publishing in great detail, which is very useful. In the past, I worked for two major publishers and can attest that the information is very accurate.

I was reluctant to order this as it is expensive, but I have not stopped using it since it arrived. I was sorry that I waited! This book is worth its weight in gold, and in advice. It is timely, easy to use, helpful, well-written, and a great supplement to CMA, Garner's, and any other reference you may be using. I love it!

I had done some proofreading and editing, but not at a career, and so learned a whole lot from this book. The examples and exercises were very beneficial to me. I liked how this book made the distinction between what were fixed rules and what were only matters of opinion or preference. The one thing that I found a little funny was on page 406. In the section about bias-free language and explaining that we should not assume that all pioneers or rock musicians are men, the very next page then urges caution when using sports metaphors, because they may "make some women feel that they are not part of the intended audience." That to me is funny! In the section about bias-free language, the author seems to tell us that only men can understand sports metaphors. Rather than saying that those who do not follow sports may not understand sports metaphors, the author specifically says that the reason to be careful is that some women may not understand sports metaphors. Other than that, I thought that the book was very helpful and I am glad that I read it.

The Copyeditor's Handbook: A Guide for Book Publishing and Corporate Communications PDF
The Copyeditor's Handbook: A Guide for Book Publishing and Corporate Communications EPub
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The Copyeditor's Handbook: A Guide for Book Publishing and Corporate Communications iBooks
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The Copyeditor's Handbook: A Guide for Book Publishing and Corporate Communications PDF

The Copyeditor's Handbook: A Guide for Book Publishing and Corporate Communications PDF

The Copyeditor's Handbook: A Guide for Book Publishing and Corporate Communications PDF

The Copyeditor's Handbook: A Guide for Book Publishing and Corporate Communications PDF

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